About this course
Study our Film and English degree at Southampton and discover how we tell stories across both art forms. On this course, you'll analyse writing from early poetry to the present day novel. You'll learn how to view Hollywood blockbusters, European and world cinema with a critical eye. You can look at literature and films in new contexts, including performance, music, science, philosophy and more.
In Film, you'll study familiar classics alongside contemporary cinema, and genres including:
- film noir
- horror
- science fiction
- documentary
- animation
You'll deepen your understanding and enjoyment of films and develop your critical thinking as part of a lively community.
Our English modules look at written English from across the world, in many social and cultural contexts. You're encouraged to study literature from different eras and creative writing.
You can examine both classical and popular novel adaptations in our specialised module. From Jane Austen to Harry Potter, you'll explore the close links between film and literature.
As part of this film and English course you can:
- explore British, European and world cinema
- take modules in scriptwriting and narrative non-fiction
- join writing workshops at Nuffield Southampton Theatres
- explore experimental writing at Entropics
- use a unique collection of rare books at Chawton House Library
- submit your own film to a yearly film festival
We offer a 4-week summer school at Dongguk University in Seoul. This includes film and cultural orientation courses.
We regularly review our courses to ensure and improve quality. This course may be revised as a result of this. Any revision will be balanced against the requirement that the student should receive the educational service expected. Find out why, when, and how we might make changes.
Our courses are regulated in England by the Office for Students (OfS).
Learn more about these subject areas
Course location
This course is based at Avenue.
Awarding body
This qualification is awarded by the University of Southampton.
Download the Course Description Document
The Course Description Document details your course overview, your course structure and how your course is taught and assessed.
Entry requirements
For Academic year 202425
A-levels
ABB including an essay writing subject*
A-levels additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
A-levels with Extended Project Qualification
If you are taking an EPQ in addition to 3 A levels, you will receive the following offer in addition to the standard A level offer: BBB including an essay writing subject and grade A in the EPQ
A-levels contextual offer
We are committed to ensuring that all applicants with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise an applicant's potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme, as follows:
BBB including an essay writing subject.
International Baccalaureate Diploma
Pass, with 32 points overall with 16 points at Higher Level, including 5 at Higher Level in an essay writing subject*
International Baccalaureate Diploma additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
International Baccalaureate contextual offer
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
International Baccalaureate Career Programme (IBCP) statement
Offers will be made on the individual Diploma Course subject(s) and the career-related study qualification. The CP core will not form part of the offer. Where there is a subject pre-requisite(s), applicants will be required to study the subject(s) at Higher Level in the Diploma course subject and/or take a specified unit in the career-related study qualification. Applicants may also be asked to achieve a specific grade in those elements. Please see the University of Southampton International Baccalaureate Career-Related Programme (IBCP) Statement for further information. Applicants are advised to contact their Faculty Admissions Office for more information.
BTEC
Distinction, Distinction in the BTEC National Extended Diploma plus B in an A level essay writing subject* Distinction, Distinction in the BTEC National Diploma plus B in an A level essay writing subject* Distinction in the BTEC National Extended Certificate plus AB to include an A level in an essay writing subject*
RQF BTEC
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
Additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
QCF BTEC
Distinction, Distinction in the BTEC Extended Diploma plus B in an A level essay writing subject*. or Distinction, Distinction in the BTEC Diploma plus B in an A level essay writing subject* or Distinction in the BTEC Subsidiary Diploma plus AB to include an A level in an essay writing subject*
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
Access to HE Diploma
60 credits with a minimum of 45 credits at Level 3, of which 30 must be at Distinction and 15 credits at Merit, to include 6 Distinctions in an essay writing subject*
Access to HE additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Irish Leaving Certificate
Irish Leaving Certificate (first awarded 2017)
H1 H2 H2 H2 H3 H3 including an essay writing subject*
Irish Leaving Certificate (first awarded 2016)
A2 A2 B1 B1 B2 B2 including an an essay writing subject* at B1
Irish certificate additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Scottish Qualification
Offers will be based on exams being taken at the end of S6. Subjects taken and qualifications achieved in S5 will be reviewed. Careful consideration will be given to an individual’s academic achievement, taking in to account the context and circumstances of their pre-university education.
Please see the University of Southampton’s Curriculum for Excellence Scotland Statement (PDF) for further information. Applicants are advised to contact their Faculty Admissions Office for more information.
Cambridge Pre-U
D3 M2 M2 in three principal subjects including an essay writing subject*
Cambridge Pre-U additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Welsh Baccalaureate
ABB from 3 A levels including an essay writing subject or AB from two A levels including an essay writing subject and B from the Advanced Welsh Baccalaureate Skills Challenge Certificate
Welsh Baccalaureate additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Welsh Baccalaureate contextual offer
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
T-Level
Not accepted for this course.
Other requirements
GCSE requirements
Applicants must hold GCSE English language (or GCSE English) (minimum grade 4/C) and mathematics (minimum grade 4/C)
Find the equivalent international qualifications for our entry requirements.
English language requirements
If English isn't your first language, you'll need to complete an International English Language Testing System (IELTS) to demonstrate your competence in English. You'll need all of the following scores as a minimum:
IELTS score requirements
- overall score
- 6.5
- reading
- 6.0
- writing
- 6.0
- speaking
- 6.0
- listening
- 6.0
We accept other English language tests. Find out which English language tests we accept.
You might meet our criteria in other ways if you do not have the qualifications we need. Find out more about:
- our Access to Southampton scheme for students living permanently in the UK (including residential summer school, application support and scholarship)
- skills you might have gained through work or other life experiences (otherwise known as recognition of prior learning)
Find out more about our Admissions Policy.
For Academic year 202526
A-levels
ABB including an essay writing subject*
A-levels additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
A-levels with Extended Project Qualification
If you are taking an EPQ in addition to 3 A levels, you will receive the following offer in addition to the standard A level offer: BBB including an essay writing subject and grade A in the EPQ
A-levels contextual offer
We are committed to ensuring that all applicants with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise an applicant's potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
International Baccalaureate Diploma
Pass, with 32 points overall with 16 points at Higher Level, including 5 at Higher Level in an essay writing subject*
International Baccalaureate Diploma additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
International Baccalaureate contextual offer
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
International Baccalaureate Career Programme (IBCP) statement
Offers will be made on the individual Diploma Course subject(s) and the career-related study qualification. The CP core will not form part of the offer. Where there is a subject pre-requisite(s), applicants will be required to study the subject(s) at Higher Level in the Diploma course subject and/or take a specified unit in the career-related study qualification. Applicants may also be asked to achieve a specific grade in those elements. Please see the University of Southampton International Baccalaureate Career-Related Programme (IBCP) Statement for further information. Applicants are advised to contact their Faculty Admissions Office for more information.
BTEC
Distinction, Distinction in the BTEC National Extended Diploma plus B in an A level essay writing subject* Distinction, Distinction in the BTEC National Diploma plus B in an A level essay writing subject* Distinction in the BTEC National Extended Certificate plus AB to include an A level in an essay writing subject*
RQF BTEC
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
Additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
QCF BTEC
Distinction, Distinction in the BTEC Extended Diploma plus B in an A level essay writing subject*. or Distinction, Distinction in the BTEC Diploma plus B in an A level essay writing subject* or Distinction in the BTEC Subsidiary Diploma plus AB to include an A level in an essay writing subject*
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
Access to HE Diploma
60 credits with a minimum of 45 credits at Level 3, of which 30 must be at Distinction and 15 credits at Merit, to include 6 Distinctions in an essay writing subject*
Access to HE additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Irish Leaving Certificate
Irish Leaving Certificate (first awarded 2017)
H1 H2 H2 H2 H3 H3 including an essay writing subject*
Irish Leaving Certificate (first awarded 2016)
A2 A2 B1 B1 B2 B2 including an an essay writing subject* at B1
Irish certificate additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Scottish Qualification
Offers will be based on exams being taken at the end of S6. Subjects taken and qualifications achieved in S5 will be reviewed. Careful consideration will be given to an individual’s academic achievement, taking in to account the context and circumstances of their pre-university education.
Please see the University of Southampton’s Curriculum for Excellence Scotland Statement (PDF) for further information. Applicants are advised to contact their Faculty Admissions Office for more information.
Cambridge Pre-U
D3 M2 M2 in three principal subjects including an essay writing subject*
Cambridge Pre-U additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Welsh Baccalaureate
ABB from 3 A levels including an essay writing subject or AB from two A levels including an essay writing subject and B from the Advanced Welsh Baccalaureate Skills Challenge Certificate
Welsh Baccalaureate additional information
Offers typically exclude General Studies and Critical Thinking. Essay writing subjects include: English Literature, English Language and Literature, History, Philosophy, Film Studies, Law, Geography, Politics, Classical Civilisation and Religious Studies, Criminology, Psychology, Sociology, Modern European Foreign Languages, Drama and Theatre Studies.
Welsh Baccalaureate contextual offer
We are committed to ensuring that all learners with the potential to succeed, regardless of their background, are encouraged to apply to study with us. The additional information gained through contextual data allows us to recognise a learner’s potential to succeed in the context of their background and experience. Applicants who are highlighted in this way will be made an offer which is lower than the typical offer for that programme.
T-Level
Not accepted for this course.
Other requirements
GCSE requirements
Applicants must hold GCSE English language (or GCSE English) (minimum grade 4/C) and mathematics (minimum grade 4/C)
Find the equivalent international qualifications for our entry requirements.
English language requirements
If English isn't your first language, you'll need to complete an International English Language Testing System (IELTS) to demonstrate your competence in English. You'll need all of the following scores as a minimum:
IELTS score requirements
- overall score
- 6.5
- reading
- 6.0
- writing
- 6.0
- speaking
- 6.0
- listening
- 6.0
We accept other English language tests. Find out which English language tests we accept.
You might meet our criteria in other ways if you do not have the qualifications we need. Find out more about:
- our Access to Southampton scheme for students living permanently in the UK (including residential summer school, application support and scholarship)
- skills you might have gained through work or other life experiences (otherwise known as recognition of prior learning)
Find out more about our Admissions Policy.
Got a question?
Please contact our enquiries team if you're not sure that you have the right experience or qualifications to get onto this course.
Email: enquiries@southampton.ac.uk
Tel: +44(0)23 8059 5000
Course structure
The main teaching format is a tutor-led lecture, followed by a seminar. Most film modules also have a screening each week that links to a particular topic or theme. You can access a vast array of films in our well-equipped libraries.
You're encouraged to keep an even balance between film and English modules. You can also take creative writing modules.
Each year, we offer a customisable course programme with a mix of compulsory and optional modules. You can also study topics from other subjects, including languages, philosophy and English literature.
Year 1 overview
You'll take a module on Hollywood film and learn the basic principles of film studies, including narrative, style and criticism. You can also study European cinema, and its history, themes and styles.
You'll choose from English modules on topics including:
- poetic language
- a group research project, including options such as City Writing in the Nineteenth Century, Literature to Save the Planet, or Decadence and Decay at the Fin de Siècle
- the novel
- the history and practice of essay writing
- literary transformations (how writers adapt and renew stories)
Year 2 overview
You'll take a module on early and silent cinema. You can also choose from a wide range of topics from film, English and other subjects, including:
- scriptwriting
- film and TV adaptations
- 20th century literature in New York
- realism in film
- women and Hollywood
- the philosophy of art
Year 3 overview
You'll write a dissertation on a topic of your choice from English or Film. A supervisor with research expertise on your topic will support you.
You'll also choose from modules on topics including:
- horror, science fiction and fantasy film
- stardom
- race, gender and sexuality in British cinema
- contemporary American cinema
- Jane Austen and the Regency world
- language and the city
- Holocaust literature
- Shakespeare then and now
- how the arts work (a module on programming in arts venues)
Want more detail? See all the modules in the course.
Modules
The modules outlined provide examples of what you can expect to learn on this degree course based on recent academic teaching. As a research-led University, we undertake a continuous review of our course to ensure quality enhancement and to manage our resources. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand. Find out why, when and how we might make changes.
Year 1 modules
You must study the following modules in year 1:
Introduction to Film 1: Style and Analysis
This module is primarily concerned with familiarising you with the basic principles of film form, narrative and style, as well as key methodologies of film analysis. The module introduces different stylistic elements and varied modes of filmmaking, includ...
Introduction to Film II: European Cinema
The module covers the history of European film from silent cinema to the present day, placing particular emphasis on the inter-war years, the post-war period and the contemporary moment. It examines national film cultures as well as the transnational elem...
Poetic Language
How do we read poems, and what language can we use to describe our readings? This module will provide a detailed introduction to the particular qualities your ear, eye and brain will need to read poetry more effectively. You will study key features of poe...
The Novel
‘A novel does not assert anything; a novel searches and poses questions’. The contemporary novelist Milan Kundera describes the novel as an exploratory and engaging form, a way of telling stories that involves readers both in its searches and in the quest...
You must also choose from the following modules in year 1:
Literary Transformations
Why have some stories gripped the imagination of writers, musicians, and artists across cultures and centuries? And what does the emergence and constant re-emergence of such stories tell us about ourselves and others, past and present? What do readers and...
The Invention of English Literature: Medieval to Early Modern
Where did the idea of ‘English Literature’ as we know it today come from? When and how did writers first start thinking of themselves as English authors? How did the mechanisms of book production and the material forms of books shape readers’ understandin...
Theory & Criticism
The module asks big questions. What do we do when we interpret literature and culture, and how can we analyse our practices of interpretation? Can anything be a text, and if so what do we understand by ‘literature’? How does literature shape our identity,...
World Dramas
In this module, you will learn how to approach dramatic texts in a way that takes into consideration their place in the world as a complex political, economic, and cultural network. We will focus on questions such as: • What is the difference between r...
Year 2 modules
You must study the following modules in year 2:
Early and Silent Cinema, 1895-1929
This module is an exploration of the main issues and debates that surround the study of film in the period between 1895-1929.
The Worlding of English Literature
Since 1800, new modes of transport and communication, commerce and violence, have remade the world. As empires expanded and contracted, and as the relationships between states and individuals were repeatedly reconfigured and tested, ways of conceptualisin...
You must also choose from the following modules in year 2:
African Freedoms and The Novel
In Africa, the ideal of freedom has the capacity to evoke multiple layers of struggle and aspiration: from state decolonisation and the end of official racial segregation, to gendered, national, economic and spiritual freedoms. Historically, the novel has...
Animation: Technology, Culture and Industry
Animation has been a part of cinema from its inception and remains one of the most popular forms of moving image in the 21st century. Some theorists have even argued that animation has preceded, contained, or replaced cinema. Yet, animation has been lar...
Brief Encounters: Writing Short Stories
Many writers begin with the short story. Through writing short stories they are able to experiment, learn the fundamentals of narrative composition, and have the satisfaction of completing something to a high standard in a relatively short period of time....
Children's Literature
Children's literature is a rather slippery term encompassing a variety of genres, child/adult concerns, engagement with historical/contextual issues on, for example, gender; class; nonsense; the nature of time; slavery. Other issues addressed are subject...
Contemporary British Cinema
The module builds on the foundation established by your work during year 1 Film. Furthermore the view that film can be viewed as an artform, cultural and historical artefact, and an industry is central to its rationale will be examined.
Corpus Linguistics: Working with large-scale text data
In this module, we introduce corpus linguistics as an approach to and method for analysing large-scale text data. We will develop an understanding of building and curating datasets, annotating data, and using quantitative and statistical measures for lang...
Dark Streets and Strange Detours: Film Noir in Context
Film Noir is one of Hollywood’s perennial cult genres, yet it is notoriously difficult to define, as it essentially amounts to a retrospective invention by critics. This module will attempt an understanding of the term through reference to its cultural co...
Data Environmentalism
Data is material. It is produced by people, it is made possible by resource extraction, it needs power to survive, it inhabits and resculpts the landscape. The use of data, then, contributes to climate catastrophe, but that role can be hard to see, hidden...
Data, Culture, and Justice
Data organise our present and shape our future. Those data are never neutral because they are the product of human labour, of choices made by people about what data to record, how to record it, and who is best equipped to do that recording. Drawing on wor...
Decolonising Modernity
Literary history is often told in epochs. In particular, it can be useful to understand the world in relation to some or other idea of “modernity”: for example, English literary studies is often organised through conceptions of the early modern, the mode...
Experiment!
What does it mean to make literature new? What forms and reformations have offered starting points for rethinking literary convention? In this module, you will explore the revolutions, innovations, and boundary-crossings that have taken place in literatur...
Film Audiences: Theories, Methods and Contexts
Film, Realism and Reality: representing the world, from revolution to the everyday
This module will introduce you to some of the principal realist and documentary movements, asking how the simple aim to ‘show things as they really are’ has resulted in a range of creative and wildly different cinematic forms. It will consider the issue a...
Ghosts on Screen
How do filmakers grapple with the difficulties of remembering events that many would rather forget? How are we haunted by the past? How do they seek to represent events that seem to defy representation? In tackling these questions, this module provides yo...
Global Cinemas
While other modules in the Film Studies programme focus primarily on Hollywood and European cinema, in this module, this module aims to familiarise you with cinemas from other parts of the world, with celebrated and lesser-known examples of cinema from Af...
Great Writers Steal: Creative Writing and Critical Thinking
Many writers have penned essays about fiction and memoir: E.M. Forster, Virginia Woolf, Henry James, Edith Wharton, Italo Calvino, Vladimir Nabokov, Milan Kundera, A.L. Kennedy, A.S. Byatt, to name just a famous few. Indeed, it seems essential at some p...
How the Arts Work: A Practical Introduction to Cultural Economics
How are the arts getting back to work again after Covid-19? This is a critically important question for everyone who cares about them, artists and audiences alike. If you’re a student considering a career in the arts you’ll want to know where fresh opport...
Images of Women
Cultural representations of women shed important light on notions of female subjectivity, sexuality and racial identity in the modern world. Medical discourses on gender, mental pathology and the rise of modern feminism are just some of the pivotal histor...
Inventing America
This module studies writing and visual representation in the early years of the republic of the United States. Focusing on the period from shortly before the American Revolution to the early years of the nineteenth century, this module will introduce stud...
Issues in Latin American Popular Music and Culture
The module aims to develop your critical awareness of Latin American music and dance cultures of the twentieth and twenty-first centuries, and the ways that scholars have approached them. Rather than a survey of Latin American music, the course will be th...
Queens, Devils and Players in Early Modern England
Early modern England is a period associated with Elizabeth I and the Tudor court, the plays of Shakespeare, blood and violence on the Jacobean stage, the discovery of new worlds, and the persecution of witches and heretics. The diversity and vitality of t...
Queering the Digital
In this module, we will investigate and reflect on the various entanglements between Queerness and digital technologies. Drawing from foundational concepts in Queer theory and gender studies scholarship, this module deconstructs and reconceptualises domin...
Revolutions in English Literature
Revolutions would break, remake, and reform societies on both sides of the Atlantic from the disruptions of the English Civil War to the global conflicts of the Napoleonic Empire. Revolutions may be those sudden changes in political life that men have tra...
Romantics and Victorians
In 1831 the philosopher John Stuart Mill struggled to define the ‘Spirit’ of the nineteenth century. ‘It is’, he wrote, ‘an age of transition. Mankind have outgrown old institutions and old doctrines, and have not yet acquired new ones.’ If the nineteenth...
Scriptwriting
Dialogue, pace, setting, and story. Understanding the nuts of bolts of scriptwriting is not only key to a successful piece of theatre, cinema, or radio, but to all forms of creative writing or literary analysis. This course will introduce you to the art o...
Songs of the Earth: Landscapes and Environments of Early Medieval England
How did people in early medieval England think, feel, and write about the world they inhabited? In what sorts of ways did literature and other forms of texts shape their engagements with landscapes, environments, and the beings – real and imagined – with ...
Speech Acts
How do writers activate and amplify the sonic properties of language? Why do artists use vocal performance of text in video art? How can text ‘perform’ on the page (or onscreen), and what does it mean for language to be performative? What does writing for...
Sweatshops, Sex workers, and Asylum Seekers: World Literature and Visual Culture after Globalisation
What can the voices and narratives of sex workers and asylum seekers depicted in world literature and visual culture tell us about the conditions and pressures of life in the contemporary world? How might considerations of narrative technique, genre, and ...
Television Studies: Key Debates
This module offers an introduction to the scholarly study of television as an audio-visual medium and cultural practice. By the end of the module you will be familiar with a number of key themes, critical approaches and theoretical debates within televisi...
The Early Modern Body
In this module, students will explore a wealth of different texts and different discourses, from the literary to the scientific, on humanity and the human body in the early modern period. Starting with a glimpse of ancient and modern visions of the body, ...
The Life and Afterlife of the Vikings
Blood, violence, terror, raids, pirates, rape and pillage are just some of the words associated with the Vikings in both the medieval and modern imagination. Their fearsome reputation is underlined by nicknames such as ‘Blood Axe' and ‘Skull-splitter', bu...
Video Games in Context
Vienna and Berlin: Society, Politics and Culture from 1890 to the Present
This module will introduce you to the social, political and cultural history of Vienna and Berlin in the 20th century, German using a wide range of sources which will include literature, film and architecture. Topics covered may include the following:...
Women and Hollywood
Using ‘Women and Hollywood' as its starting point, this module offers three areas of investigation: Hollywood's representation of women; women who make films in Hollywood and outside it; and the female spectators who make up the audiences and fans of Holl...
Year 3 modules
You must choose your modules from the following modules in year 3:
Burning Worlds, Drowning Worlds: Oil Cultures, Climate Crisis, and Traumatic Desires in World Literatures
We keep being barraged with a deluge of unnerving news - about environmental crisis, multi-level pollution, exceeding desertification and inundation of centuries-long places of human habitation, floods, forest fires, relentless rise in sea-level due to t...
American Cinema Since 1965
The module offers a history of American cinema since 1965, covering the decline of the Hollywood studio system and the moment, from 1968 to 1975, when a new wave of directors produced a number of key films sometimes known as constituting the Hollywood art...
American Gothic
As the Puritan colonialist John Winthrop said at Holyrood Church in Southampton before embarking for Boston, American was to be ‘as a city upon a hill’, a beacon of progress and enlightenment for the world. But from the beginning, America has been shadowe...
Animal Forms: poetry and the non-human
What can animals teach us about the human and non-human? What do the creative forms we use to describe them show us about human form and the other? In this module, you will read a range of poetic and critical material which explores the porous boundaries ...
Authoring Austen: Writing, Reception and Adaptation
Jane Austen’s global appeal in the twenty-first century has been shaped by the ways that she has been read in the 200 years since her death. In this module, you will read Austen's novels, letters, and unpublished juvenile fiction, and explore some of the ...
Creative Writing in Schools
Are you interested in helping young people study English? This module will introduce you to teaching creative writing in secondary schools by providing training in effective classroom management and guidance on designing lesson plans for studying fiction ...
Crime TV: Technologies of Detection
Crime detection is prolific on television; a topic discussed across news and current affairs programming, documentaries, reality TV and, not the least, numerous crime dramas. This module examines different type of crime investigation narratives on televis...
Data Environmentalism
Data is material. It is produced by people, it is made possible by resource extraction, it needs power to survive, it inhabits and resculpts the landscape. The use of data, then, contributes to climate catastrophe, but that role can be hard to see, hidden...
Data, Culture, and Justice
Data organise our present and shape our future. Those data are never neutral because they are the product of human labour, of choices made by people about what data to record, how to record it, and who is best equipped to do that recording. Drawing on wor...
English Dissertation
Undertaking independent research into an aspect of literature or creative writing which particularly interests you is a cornerstone of your degree. A dissertation gives you the opportunity to study a subject in much greater depth than usual and, with gui...
Environmental Cinema and Media
There is now an overwhelming scientific and political consensus that climate change is occurring as a result of human activity and that there is an urgent need for action to address the causes and effects of this. This module will consider the place of f...
Fantasy Film and Fiction
Fantasy film and fiction spans a wide range of texts, from Gothic 'classics' and feminist fairy tales, to Utopian literature and musicals. Analysing fantasy texts alongside psychoanalytic and cultural theories will enable you to engage with questions conc...
Film Audiences: Theories, Methods and Contexts
Film Dissertation
The dissertation is an extended piece of work of 8,000 words in length which is the result of an in-depth study of an area of film studies. The subject matter could be a movement, a director, a studio or production company, a national cinema, genre or the...
Framing the Past:Stardom, History and Heritage in the Cinema
This module explores cinema’s relationship to the past, whether distant, as in that of ancient Greece, Rome or Egypt, or from a more recent history.
German-Jewish Writing Across the Twentieth Century
The turbulent history of Austrian and German Jews during the twentieth century was accompanied by the production of a diverse and influential body of German-language literature by Jewish authors. Prior to World War Two, Jews played a crucial role in the c...
Holocaust Literature
How has the Holocaust been represented? We will examine a range of responses to the Holocaust from the 1940s to the present day, including memoirs of camp survivors and experimental texts. Focusing on the limits of representation we will approach question...
Horror on Film
Horror films have been one of the most consistent areas of cinema throughout its history. Despite horror quickly establishing itself in films, it was not until the 1930s and Hollywood's studio system that it became standardized as a genre with a repertoir...
How the Arts Work: A Practical Introduction to Cultural Economics
How are the arts getting back to work again after Covid-19? This is a critically important question for everyone who cares about them, artists and audiences alike. If you’re a student considering a career in the arts you’ll want to know where fresh opport...
International Film Industry: Issues and Debates
Film as industry plays out against the backdrop of a global economy, and at any given location witnesses high volumes of transnational flows of money, ideas and talent. At the intersections of these transnational flows we can detect influences of stakeho...
Issues in Latin American Popular Music and Culture
The module aims to develop your critical awareness of Latin American music and dance cultures of the twentieth and twenty-first centuries, and the ways that scholars have approached them. Rather than a survey of Latin American music, the course will be th...
Language and the City
One of the socially and culturally most significant consequences of transnational mobility is that urban populations in particular are increasingly multilingual: in global cities such as London, New York and Berlin there are speakers of hundreds of differ...
Music in Film and Television
In recent years, film culture has become increasingly aware of the film industry’s connections with the music industry. In some cases, critics have decried the use of films as vehicles for the sale of unconnected pop songs as if it were a new development,...
Playmakers, or, How to Have Fun in Early Modern England
This module asks: How can the different places and ways people had fun in the late sixteenth and seventeenth centuries shape the way we read literature today? Early modern England had a vibrant entertainment scene that was not limited to the likes of the ...
Queering the Digital
In this module, we will investigate and reflect on the various entanglements between Queerness and digital technologies. Drawing from foundational concepts in Queer theory and gender studies scholarship, this module deconstructs and reconceptualises domin...
Sex, Pleasure and African Literature
Contemporary African literature is about pleasure and beauty, as much as it is about the continent’s struggle for social justice and decolonisation. In the past two decades, African novels have won critical acclaim by telling stories about modern lives th...
Shakespeare Then and Now
Has Shakespeare aged well? From the boys in wigs on the Elizabethan stage to the digital wizardry of the twenty-first century, the technology as well as the ideology that informs Shakespearean performance keeps evolving—sometimes in unexpected ways. This ...
Songs of the Earth: Landscapes and Environments of Early Medieval England
How did people in early medieval England think, feel, and write about the world they inhabited? In what sorts of ways did literature and other forms of texts shape their engagements with landscapes, environments, and the beings – real and imagined – with ...
Telling True Stories: Narrative Non-Fiction
Narrative non-fiction is one of the most exciting areas of contemporary writing. After many years of being seen as having lower artistic status than fiction, a hugely diverse range of memoir, autofiction, essay collections, and historical writing has draw...
The Life and Afterlife of the Vikings
Blood, violence, terror, raids, pirates, rape and pillage are just some of the words associated with the Vikings in both the medieval and modern imagination. Their fearsome reputation is underlined by nicknames such as ‘Blood Axe' and ‘Skull-splitter', bu...
The Origins of Climate Crisis: Ecology in Victorian Literature
Are we living in an age of climate change or climate crisis? In her 2019 speech to the World Economic Forum, Greta Thunberg famously declared “Our house is on fire”: a statement underscored by the Australian bushfire crisis of 2020 and the mass devastatio...
Utopias and Dystopias in Literature and Culture
From Plato’s Republic and Thomas More’s Utopia to Margaret Atwood’s Handmaid’s Tale and Philip Roth’s The Plot Against America, utopias have always been haunted by the spectre of the dystopian. If utopias imagine alternative ways of organizing society, dy...
Video Games in Context
Writing Queerness
Once upon a time, no one called themselves queer; now it names everything from a kind of person to a type of weather. Queerness seems necessary, ubiquitous, paradoxical – but why? Ranging from the eighteenth century to the present day, this module will ex...
Writing the Novel
The essential elements of writing a novel include crafting beginnings and endings, constructing characters, manipulating structure and plot, and developing an intimate relationship with language. Writing exercises and discussions of work in progress will ...
Learning and assessment
The learning activities for this course include the following:
- lectures
- classes and tutorials
- coursework
- individual and group projects
- independent learning (studying on your own)
Course time
How you'll spend your course time:
Year 1
Study time
Your scheduled learning, teaching and independent study for year 1:
How we'll assess you
- blogs
- coursework, laboratory reports and essays
- dissertations
- essays
- individual and group projects
- oral presentations
Your assessment breakdown
Year 1:
Year 2
Study time
Your scheduled learning, teaching and independent study for year 2:
How we'll assess you
- blogs
- coursework, laboratory reports and essays
- dissertations
- essays
- individual and group projects
- oral presentations
Your assessment breakdown
Year 2:
Academic support
You’ll be supported by a personal academic tutor and have access to a senior tutor.
Course leader
Louis Bayman is the course leader.
Careers
When you study Film and English at Southampton you'll gain a strong foundation in skills that are attractive to all graduate employers:
- written and verbal communication
- analytical and critical thinking
- presentation
- research
- organisation
- project management
Our research staff and industry experts will help you gain a picture of the film and TV industries today.
Some modules include work experience. How the arts work, for example, shows you how to programme and manage a professional arts venue.
Humanities students can take employability modules to learn how to plan a future career. These consist of lectures and seminars given by experts, employers and alumni. They cover:
- careers opportunities for humanities graduates, including digital jobs
- entrepreneurial and start-up options
- psychometric and skills assessment to help you discover hidden talents
Volunteering opportunities will help you improve your work-related skills. For example:
- Union Films is our on-campus cinema where you can develop new skills, such as team leading, projection and digital design
- our student film societies, FilmSoc and Wessex Films, where you arrange film screenings, help organise the University's Film Festival or take workshops to develop your skills
- our radio and TV societies can give you hands-on experience of making television and radio shows
Some of our graduates go on to careers in film and media, including: film production, editing and post-production, distribution and marketing. Others continue into postgraduate studies or find employment in careers such as:
- advertising, marketing and PR
- arts based careers
- charities
- civil service
- financial sector jobs
- journalism
- legal sector jobs
- teaching
- writer
Careers services at Southampton
We are a top 20 UK university for employability (QS Graduate Employability Rankings 2022). Our Careers, Employability and Student Enterprise team will support you. This support includes:
- work experience schemes
- CV and interview skills and workshops
- networking events
- careers fairs attended by top employers
- a wealth of volunteering opportunities
- study abroad and summer school opportunities
We have a vibrant entrepreneurship culture and our dedicated start-up supporter, Futureworlds, is open to every student.
Work in industry
We can help you find placements and work with local, national and international employers. You could even spend a full paid year in employment.
Fees, costs and funding
Tuition fees
Fees for a year's study:
- UK students pay £9,250.
- EU and international students pay £22,300.
Your fees will remain the same each year from when you start studying this course. This includes if you suspend and return.
What your fees pay for
Your tuition fees pay for the full cost of tuition and standard exams.
Find out how to:
Accommodation and living costs, such as travel and food, are not included in your tuition fees. There may also be extra costs for retake and professional exams.
Explore:
Bursaries, scholarships and other funding
If you're a UK or EU student and your household income is under £25,000 a year, you may be able to get a University of Southampton bursary to help with your living costs. Find out about bursaries and other funding we offer at Southampton.
If you're a care leaver or estranged from your parents, you may be able to get a specific bursary.
Get in touch for advice about student money matters.
Scholarships and grants
You may be able to get a scholarship or grant to help fund your studies.
We award scholarships and grants for travel, academic excellence, or to students from under-represented backgrounds.
Support during your course
The Student Services Centre offers support and advice on money to students. You may be able to access our Student Support fund and other sources of financial support during your course.
Funding for EU and international students
Find out about funding you could get as an international student.
How to apply
When you apply use:
- UCAS course code: QW36
- UCAS institution code: S27
What happens after you apply?
We will assess your application on the strength of your:
- predicted grades
- academic achievements
- personal statement
- academic reference
We'll aim to process your application within 2 to 6 weeks, but this will depend on when it is submitted. Applications submitted in January, particularly near to the UCAS equal consideration deadline, might take substantially longer to be processed due to the high volume received at that time.
Equality and diversity
We treat and select everyone in line with our Equality and Diversity Statement.
Got a question?
Please contact our enquiries team if you're not sure that you have the right experience or qualifications to get onto this course.
Email: enquiries@southampton.ac.uk
Tel: +44(0)23 8059 5000
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